The Burning Man: A geographical analysis of a new-age pilgrimage

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At the top of “6 o’clock”, a main street in Black Rock City, Nevada

The folks at UC Berkeley’s library have just kindly dug out my Geography Undergraduate Honours Thesis from 2002 and scanned it. I had somehow lost every single copy, a depressing combination of hard-drive crashes and absent-minded post-graduation packing.

It was interesting for me to reread it now, both for reminiscence sake and to ponder how my writing has changed over the years.

The Burning Man is a yearly festival in the middle of Nevada’s Black Rock Dessert that I have now attended thrice: in 2002 when I was walking around with a notebook interviewing people; in 2003, sans notebook, to partake in all the art, joy and partying that I had missed the year before; and in 2009 when my sister, brother-in-law, cousins and very good friend wanted to go for the very first time.

The Burning Man is very close to my heart, partly because of the great art on offer and partly because by living for a week in “the gift economy”, where money can’t buy you anything, one learns to appreciate labour and human interaction outside the mental confines of commerce. (One also learns to appreciate just how long the human body can go without a shower.)

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