Note: This is a blog post about my six-month journey across India and China. To find out more about why I went on this trip, please read, Next book: From Kerala to Shaolin. In the interest of clarity, I am not publishing this “from China”, but Singapore, where I am back now.
Zhang Yong, one of the shifus at the Shaolin Temple Wushu Training Center
Two days after reaching Dengfeng, we visit the Shaolin Temple. After paying the RMB100 (US$16) per head entrance fee, we walk through the ticket counter, and soon pass one branch of the Tagou school on our right. We keep walking for another five minutes to arrive at the wushu demonstration centre, which has hourly performances. Even at 9 in the morning, some 30minutes before the first performance, a queue has formed.
Note: This is a blog post about my six-month journey across India and China. To find out more about why I went on this trip, please read, Next book: From Kerala to Shaolin. In the interest of clarity, I am not publishing this “from China”, but Singapore, where I am back now.
Despite Wudang’s serenity and peacefulness, our week there leaves us quite tired, due to a combination of 12hr days, relentless interviews and photo shoots, mountain hiking and cab shortages. Thus we are glad to board the Sunday morning bus to Xi’an, via Shiyan, the closest big city to Wudang, where we have a one-hour stopover.
Foreigners frequently stumble over the intonations and pronunciations of Chinese words, especially when reading from the “Pinyin” versions, i.e. written in the Latin alphabet. But in that one week, as we are trying to navigate a route out of Wudang, I experience more lost-in translation moments than ever before with “Xi’an” and “Shiyan”.
Note: This is a blog post about my six-month journey across India and China. To find out more about why I went on this trip, please read, Next book: From Kerala to Shaolin. In the interest of clarity, I am not publishing this “from China”, but Singapore, where I am back now.
In early November, I return to China for the last major leg of the trip, a six-week journey—the longest so far—that will take me from Shanghai – Nanjing – Wudang – Xi’an – Shaolin – Weifang – Beijing.
Even though the hallowed Shaolin awaits, I am not looking forward to this trip. I need all my discipline to board that flight from Singapore to Shanghai on Nov 6th.
There are several reasons for this. The first is simply fatigue. After more than four months on the road, having covered more than 15,000km overland, I am just bloody tired. I am tired of searching for cheap hotels and the most cost-efficient overland journey. I am tired of packing my bags every four days and moving to the next place. I am tired of carrying around my voice recorder, camera, GoPro, phone and notebook wherever I go. I am tired of repeating my damn shpeel about Kerala and Shaolin. I am tired of looking at every person on the street as an interview subject. (I want to just look down and walk past you!) And I am tired of watching over my two team-members: as fun and independent as they are, I always worry about them, feeling somewhat responsible for their safety.
Dear friends, 2013 has been a crazy, fun, wild year. For the first time since college in the US, I spent more of the year outside than inside Singapore, my home. In completing my longest research trip to date, I travelled overland more than 20,000 km from Kaniyakumari at the southern tip of India to Beijing in China, crossing Nepal and the Tibetan plateau in … Continue reading From Kerala to Shaolin: Thanks to supporters
Bust of Ip Man, Bruce Lee’s shifu, in Foshan, Guangdong
Buses
When we try to leave Sichuan for Guangdong (Canton), Jeffrey Chu, my Shanghai-based Taiwanese-American friend, Kirit Kiran, the Delhi-based photographer, and I are faced with the contemporary traveller’s worst scheduling nightmare: the Chinese national holidays. Our journey comes near the end of the weeklong holiday around October 1st, the national day of the People’s Republic of China, when in 1949 Mao Tse-Tung declared that “The Chinese people have stood up!”
There is certainly a lot of standing to be done. We stand in Emei, as hordes of domestic tourists—some with walking stick and camera, others dressed to the nines—flood the usually peaceful Emei shan, mountain. When we reach Chengdu, we stand outside the quaint boutique hotel I booked through booking.com; they are overbooked, and don’t have a room for us, and so after two hours of calling around they find us another hotel thirty minutes away.
When I find out that our mainland China trip will begin in Chengdu, I am overjoyed. Before this Kerala2Shaolin research trip, I had visited only a few mainland Chinese cities: Chengdu, Shanghai, Shenzhen and Zhuhai. By some distance, Chengdu is my favourite.
Li Ling, my wife, and I had visited in April 2012. Ling, on her first ever visit to the land of her forefathers, was filled with a mixture of excitement and trepidation, worried about a week of musky hotel rooms, smoky restaurants and squalid, squatting-only toilets.
Deciding on Chengdu back then was easy. Ling wanted to look at animals and I wanted to eat them. Few places attract animal lovers and carnivores so effortlessly: Chengdu is home to the world’s foremost Panda sanctuary; it is also one of Asia’s gastronomic capitals, the centre of Sichuan cuisine. After five days we were smitten, by the comical, goofy pandas, by the irresistible “mala” spice (ma: numbing; la: spicy) and, unexpectedly, by the charming, laid-back people of Sichuan, who seem less interested in China’s hot growth than China’s hot tea. (For a more detailed digression into mala and Sichuanese food, see Culinary post from China: Sichuan)
Note: This is an on-the-road blog post. To find out more about why I am on this trip, please read, Next book: From Kerala to Shaolin. In the interest of clarity, although I wrote most of this letter when in India, I am actually clicking “Publish” when in S Africa, where I am visiting my wife for a few days.
By the time Kirit and I reach Punjab, buses have broken our backs. Unable to secure a seat on any northbound train, we board a series of overnight buses—Pondicherry to Hyderabad; Hyderabad to Nagpur; Nagpur to Indore; Indore to Jaipur; Jaipur to Chandigarh; and, finally, Chandigarh to Amritsar—collectively taking more than 50 hours over some 3000km, greater than the distance from Hong Kong to Singapore, or Houston to San Francisco.
In Indore we break our journey for a few days, visiting my Nani’s house every day for home cooking. Then, as if to compensate for those comforts, our karma delivers the bus from hell. We have two “upper sleepers” on a “Non-AC bus” to Jaipur. This doesn’t sound too shabby, but when we board we find a dirty, old interior. The faux leather plastic on my bed’s “headrest” is completely worn, exposing the spongy foam beneath. Every time I lift my head up, I find little bits of black foam clinging lovingly to my hair. The bed itself is sandy. That is partly its steady state, and partly my doing, as I keep my soiled slippers up there with me, rather than down below on the even filthier bus floor, where they might get trampled on by even filthier slippers.
Across the aisle, on a double-sleeper on the other side of the bus, are my travel companions: an elderly man and his white terrier, “Kutta”, literally dog in Hindi. Kutta is actually quite cute, but he annoys me by barking sporadically and also because I’m envious of his royal diet: burfi, which I look at longingly, every time the man places one delicately in Kutta’s mouth. Kutta’s bark isn’t the only aural pain. At every available opportunity our bus driver blares his irritating horn, which in India can range from the multi-layered melodious to the fart-like. The racket is worse than anything those post-South Africa 2010 Vuvuzuela nuts conjured. I regret booking a sleeper in the front of the bus.
Note: This is an on-the-road photo journal. To find out more about why I am on this trip, please read Next book: From Kerala to Shaolin. Importantly, these are just some simple photos taken by yours truly. The really good photos on this trip are being taken by Kirit Kiran, a Delhi-based photographer and filmmaker. The best will appear in the actual book.
