Yayoi Kusama in Singapore

Yayoi Horse.jpg

Horse Play Happening in Woodstock, 1967

 

Embrace narcissism.

When you recover from the invasion of polka dots on your smartphone—yellow-and-black, primary colours on white, pixelated stardust from some neon galaxy, arresting but soon annoying, with the never-ending shower of selfies, with Singaporean FOMOness suffocating all sensibilities—when you recover from that all, remember that Yayoi Kusama probably wanted you to embrace narcissism.

How else to explain the alleyway of convex mirrors, where you are forced to either stare down or stare at your reflection, sidestepping couples waiting patiently for a break in traffic. Or the Infinity Mirrored Room—Love Forever, into which you pop your head and see your friend’s face, and endless reflections of yourselves lit up by psychedelic lights.

And how else to explain the most popular exhibit, Infinity Mirrored Room—The Souls of Millions of Light Years Away, a hanging-LED infinity mirror room, into which you walk, and immerse yourself in some glittering self-absorbed universe, trying not to think of the next person in line and the usher outside timing you, for precisely thirty seconds, with a stopwatch. (“It’s the only fair way.”)

“Up till Kusama, there were many artists from the Renaissance on, who were involved with perspective and infinity but it was all a fake because you knew, you were the viewer you were always aware that you were the master,” said Richard Castellane, a former gallerist, in a documentary on her.

With her infinity rooms, Kusama fools us in a way never done before. Does “Infinite You” prove your infinite worth or your infinite irrelevance?

The Singaporean, a species engaged in perennial status competition, is the perfect subject for her play. Over the years, we have become far more sophisticated in our social media mating dances. The garish displays of branded leather are disappearing. Today there is a new battleground: travel.

So we are treated to selfies that say nothing more than “I am here.” Of course, all this is not the preserve of the Singaporean, arguably less cultural than generational, of Xs and Ys. Still, as with most money-fuelled pursuits, Singaporeans tend to go the extra mile. (A photo of your holiday business class seat? Are you trying to show off your carbon footprint?)

No surprise, then, that Yayoi’s dots have colonised our smartphones. Yet now that the torrent has slowed, one hopes her audacious aesthetics are not the only thing we remember.

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Second book launch: Hard Choices

Hard Choices Front_Ver 2

Dear friends, I just wanted to share some thoughts from my second book launch this past Tuesday. If you want to find out more about the book’s content and cover, please see my earlier post here.

I really enjoyed the launch. As in, it was genuinely fun. Lots of banter up on stage between Donald Low, my co-author, David Skilling, the moderator, and myself before the event. Engaging conversation and audience questions throughout on a range of important and sometimes emotive subjects, from Goh Keng Swee’s doubts in 1972 about Singapore’s emerging economic model to the recent uproar over the mooted Philippines Independence Day Celebration in Singapore this June.

If you are keen to see what you missed, here is a 22min video of the session.

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Hard Choices: Challenging the Singapore Consensus

Hard Choices Front_Ver 2

Dear friends, I am very happy to announce the release of my new book, Hard Choices: Challenging the Singapore Consensus, co-authored with Donald Low, with contributions by Linda Lim and PJ Thum, and published by NUS Press.

Do you recognise the image on the cover? Scroll to the bottom of this post to find out more about it.

Availability in Singapore

Donald and I will be taking part in a discussion at NUS, moderated by David Skilling of the Landfall Strategy Group. Bookhaven will be selling copies there at S$20 per book (usual price S$24).

Date: April 22nd 2014
Time: 6:00pm to 7:30pm
Venue: Bookhaven, NUS U-Town. 2 College Avenue West, Singapore, Singapore 138607 (see here)

Registration is free, but necessary as space is limited. Click here to do so.

For those who cannot make it on April 22nd but still want a personalised copy autographed by the two of us—at the launch price—please order through me directly by April 22nd morning, for collection at NUS Press.

To order, send an email with your details, including autograph instructions (if any), to sudhir@post.harvard.edu. The S$20 is payable to NUS Press upon collection there (see here).

Otherwise, the book should be available in all good bookstores, including NUS Press itself, by end April.

Digital/Worldwide

Digital versions (Amazon, Apple, Kobo and B&N) will be ready by end April. We are still working out the Google Play delivery. Worldwide hard copies should also be available on Amazon by July 31st—although they are notorious for delays with hard copies.

Do check back here for updates; or click the “Follow” button at the bottom of this page to receive my blogposts automatically.

What is the book about?

The book is a collection of essays on Singapore, each dealing with a different policy or social dimension—including history, meritocracy, social security, housing and identity.

More important than the specific topics, perhaps, is the spirit of the book. Each essay challenges one or more assumptions of the Singapore consensus—from vulnerability to elite governance—and suggests policy alternatives, some fairly radical, to the limited and narrow options that are often presented in public discourse here.

Will greater welfare necessarily harm Singapore’s competitiveness? Does Singapore need high immigration in order to keep growing and raise living standards? Are ethnic classifications—Chinese, Malay, Indian, Others—and quotas in HDB estates necessary in order to maintain ethnic harmony?

A traditional Singapore establishment viewpoint would respond with a resounding YES to all of the above. In the book we skewer these and many other sacred cows. Continue reading